Meena Alexander ~ Poetry Month

I’m not sure how I came across this poem, but when I did, it broke my heart and moved me so much. Meena Alexander is so talented and evokes a pain of which so many of us are unaware. In this poem, she tells of the pain of three young women, unwilling to put her family into a desperate financial situation so that she may be married…also unwilling to deal with the shame of not being married. It is a glimpse into a very different world that still manages to bring our own sexist culture into focus.

A School Teacher from South India

By Meena Alexander

Portions of a mango tree the storm cut down,
a green blaze bent into mud
and they come to me, at dawn

three girls from Kanpur, far to the north admittedly
(we know this from national geography class,
the borders of states, the major cities).

They hung themselves from fans.
In the hot air they hung themselves
so that their father would not be forced to tender gold

he did not have, would not be forced
to work his fists to bone.
So that is how a portion of the story goes.

Slowly in the hot air they swung, three girls.
How old were they?
Of marriageable age certainly.

Sixteen, seventeen, and eighteen, something of that sort.
How do I feel about it?
What a question! I am one of three sisters,

most certainly I do not want father to proffer money
he does not have for my marriage.
Get a scooter, a refrigerator, a horde of utensils,

silks, and tiny glittering bits of gold
to hang about my ears and throat.
Gold is labor time accumulated . . . labor time defined.

Who said that? Yes, I am a schoolteacher, fifth standard
trained in Indian history and geography,
Kerala University, first class first.

The storm tree puts out its limbs and
I see three girls swinging. One of them is me.
Step back I tell myself.

Saumiya, step back. The whole history
of womankind is compacted here.
Open your umbrella, tuck your sari tight,

breathe into the strokes of catastrophe,
and let the school bus wait.
You will get to it soon enough and the small, hot faces.

See how the monsoon winds soar and shunt
tropic air into a house of souls,
a doorway stopped by clouds.

Set your feet into broken stones
and this red earth and pouring rain.
For us there is no exile.

2 Comments

  • Ally Bean

    Fascinating poem. A glimpse into ways of thinking that are so foreign to me that they make no sense. Great imagery, though. And I like the phrasing. But still, kind of weird to me.

  • Nance

    Oh, my. I love this voice. I love how the speaker tries to steel herself in the poem as she faces the terrible sight of the three girls who were forced by necessity. I love how the speaker reminds herself that she, too, must face her own necessity that day in the form of future generations and her own life. That she must not identify with one of the girls there. It shows the depth of our own cultural influences, whether or not we ascribe to them.

    Honestly, as evolved or modern or whatever we think/know/believe we are, we can do little about the whispers around us. The fact that we still must live in a Society is very real and at many times very unforgiving. For example, if your husband or daughter were to look less than their best in public, we all know that you would be the one criticized, ultimately. “How did J let him/her out of her sight looking like that?!” Even in jest, Society hammers the woman first.

    Cultural mores and standards go down hard, if at all. This poem is an extreme reminder of that.